Analysis
My analysis of S’s writing is based on a final draft to a writing prompt entitled “The Real S”, a first draft of a story, conversations we’ve had, and a spelling inventory that I did with her.
Ownership and Meaning
From the sparkle in her eyes when she shyly describes and reads her writing, I sense that S feels ownership of and enjoys her self-expression in her writing. While she is trying to follow all of the rules and guidelines of writing, her voice and ideas are budding. In her piece about herself, she surprises me with some personal details: “it makes me feel as clean as soap”; “I need to be by myself”; and “the insects tickle my hand.” Her story, however, tries to move her meandering plot along without as much interesting detail.
Six Traits Assessment
When looking at S’s ideas I found them to be reasonably clear and working toward developing more details and personalization. She is beginning to learn how to move from general observations to specifics; experimenting with ways to draw the reader into her ideas and story (use of simile and words like “suddenly”); and stays on topic fairly well. If I were to pick one thing for her to focus on in ideas, it would be to flesh out more details in the story line.
S’s organization was better in her self-portrait than her story; perhaps because it was a final draft. She demonstrated logical and effective sequencing, decent transitions and an inviting introduction. The structure was predictable and the conclusion was recognizable, but repetitive. In her story, transitions were unclear, the sequencing had a few problems that detracted from the story, and sometimes the pacing felt awkward.
I have a sense of voice emerging from S’s work – shy and wanting to do things right. As described in Ownership above, she does add a few personal details that offer some personal insight and playful description. She is earnest and attempting to connect with her audience – “Just ask my third-grade teacher!” Finally, she is aware of her purpose and does attempt to use content to support it.
Her teacher tells me that she was in ELL until last year which may explain her why her verbs are often misused and mostly passive. Overall, her word choice lacks originality and refinement. Words and phrases are functional with a few shining moments. Words are adequate in a general sense. In our conversations she uses more interesting adjectives. I suspect that her writing will blossom in this area this year.
In the area of sentence fluency S has much work to do. Sentences are sometimes choppy, incomplete or awkward. Many sentences begin the same way, although some interesting variety is attempted. Mostly her sentences are functional; she has not yet developed creativity or fluidity in their flow, individually and together. I would encourage her to read her work aloud and think about how it sounds, flows and entices the reader to keep reading.
Conventions on her rough draft reveal a student with some sense of punctuation: periods, commas and quotation marks are attempted, and often are correct. Her grammar is challenged most in her use of verbs – knowing how to phrase a verb and in what tense. She knows to indent a paragraph, but not when to start a new one. She also knows to capitalize some words, but has some confusion over which ones. In her final draft there are only a few mistakes showing that she paid good attention to her edits. The presentation of her final draft is neat and organized.
Spelling
In her final draft S misspells the following: “finnaly,” “my self,” and “shoulded.” I did notice that “finally” and “myself” were misspelled on the rough draft of her other story and remained uncorrected, so perhaps they have not yet been brought to her attention. Also in the rough draft of her story were some different errors: “squrill,” “chating,” “scearmed,” and “knok.” Not bad for 6 pages of writing that included words like: kitchen, suddenly, mouth, chicken, jealous, heartbreaking, and curious. She is facile with consonants, vowel patterns, most diagraphs and blends. She uses but confuses double consonants and could learn the milk truck trick for “ck.” Overall, S appears to me to be in the middle of learning “Syllables and affixes,” as confirmed on the Bear & Barone Spelling Inventory(1989), especially with unfamiliar words like pleasure, fortunate, and civilize (spelled plesher, forjenit, and sevleise) . Because LWSD uses the Wordly Wise books for spelling and word work (which does great things with prefixes, suffixes, bases, roots and meaning) I would add one or two frequently misspelled words to her list each week. The reading from Cambourne has impressed me to the point that I would like mostly to encourage her to keep writing and editing, only then adding my edits, which, so far, she pays close attention to. Through this process she will naturally acquire the skills she needs.
Lesson Plan
I will demonstrate moving from first-draft writing to second-draft, concluding with an opportunity for students to practice the skills.
Objectives
Students will be able to think about their reader(s) and how they want to communicate the information to them. Using a rubric like Routman’s “What a Good Writer Does” (Writing Essentials, 2005, page 151) students will be able to read, and reread, their first draft to make edits: moving parts around to provide more clarity and keep ideas together; providing more details in places that are lacking; and adding more interesting ways to say things.
Standards
EALR: 3 The student writes clearly and effectively.
3.1. Develops ideas and organizes writing.
3.2. Uses appropriate style.
3.3. Knows and applies writing conventions appropriate for the grade level.
Materials
Lined paper and pencils.
Instructional Strategies
Depending on time, this may be a two or even three-part lesson.
I will start the lesson by writing in front of the class demonstrating my thinking and edits as I read and reread along the way. I will pay particular attention to my intended readers, brainstorming and then moving like ideas together, thinking about details my reader may need to know, and writing in a way that draws my reader into the topic. When finished, I will check the rubric and reread again checking things off as I go.
We will then do one together entitled: “What a Substitute Teacher Needs to Know about this Class.” I will have them contribute edits along the way, and checking the rubric at the end.
They will then work on a piece by themselves entitled “What New Students Need to Know about this Class,” going through the same process.
Assessment
I will do mini-conferences with students while they work checking for organization of ideas, paragraphs centered on one idea, clarity of information for the “new student,” interesting descriptions.
Afterwards I will check their drafts for editing marks showing that they changed things to make them better: organization, word choice, and meaning/clarity of information. Specifically, I am looking for evidence of edits: things crossed out, circled and moved, inserts, etc.
Julie,
ReplyDeleteI enjoyed your analysis of S's developing writing. It's interesting that she seems stronger in her voice and ideas where as my 4th grade buddy is much stronger in his conventions and word choice than his ideas and voice. I wonder if that is common. Does an the propensity to hyperfocus on conventions and grammar take away from the development of ideas and voice?
Your lesson is definitely something that students need to know! A lot of my 4th grade students in my main placement struggle because they are unable to really understand how to connect to an audience. I like that your prompt gives them something authentic to write about and that you go through it with them, modeling how to connect to their readers. I think it may be helpful as well to spend quite a bit of time brainstorming so that each student has the chance not only to have their voice heard, but also has the chance to find an idea(s) that they connect with best. That might help make their voice more authentic.
Julie,
ReplyDeleteI love the beginning of your ownership and meaning section. "From the sparkle in her eyes" you could tell she felt ownership for her piece. In my main placement, it is so obvious which students take ownership and pride in their writing because they become so excited when given the opportunity to share the piece. You describe S needing to work on fleshing out more details in her writing and I applaud you on making this observation. I have found that I sometimes mistake lengthy words and a long story line for details. A common issue I have noticed with a lot of 4th grade writing is the use of choppy sentences. However, there is a fine line between choppy sentences and run on sentences. The correct use of tenses can also be a challenge for students, making the entire story read incorrectly. With S, this could also be an ELL issue. I would be interested in hearing your thoughts about how her being an ELL student impact her writing, if at all. Overall, I agree with you and Katie in your choice for a lesson for S. The objectives you will be working on with S seem completely appropriate for her writing skills.
Thanks,
Taryn
Julie,
ReplyDeleteI enjoyed your analysis of S's writing. It seems like you have some interesting hurdles to deal with, especially with details and sentence structure. In your lesson, modeling seems like it will be key for both her idea elaboration and her verb tense. Hopefully seeing you think out loud about details or word use will give her clues on improving her own writing. Based upon her ELL history, reading her story out loud may help her make her own corrections with verb use.
The only question I have about the rough drafts would be if you would have the students correct their work in a different colored pen, so you can easily see which part of the students' writing was their original rough draft and which is a correction. It seems like this was a problem when looking at my buddy's writing. Just a little suggestion, but overall I thought this was a very good analysis!
I so appreciate the responses to my analysis of S’s writing. As Taryn noted, her struggles with verb tense in her writing could be related to her being an ELL student. I noticed today that she does not self-correct verb tense when reading either. I am wondering if I should stop her after I hear a miscue in a sentence and check for her understanding to see if she picks up on it. To help her pay attention to it in her writing, I would add verb tense to her editing checklist being sure she understands what to look for using good examples.
ReplyDeleteIn my lesson plan I will take the time to brainstorm with the students helping them find something authentic to write about. Routman talks about “teaching as a powerful, invitational relationship that pulls the learner in . . . teaching in terms of our students’ needs and interests.” (p. 47 in Reading Essentials) I feel strongly that connecting my students’ writing with their needs and interests is what will help them find their voice and desire to become better writers and communicators.
I agree with Cambourne (and Routman) that modeling is key. In An Alternative View of Learning, Cambourne states: “What is important is that which is demonstrated and that which is available to be immersed in, is always a whole slice of the ‘language pie’ with all of the systems present.” (p. 37) In other words modeling in context is critical to student learning. That is why I planned this lesson the way I did. Thank you for underscoring its importance.
Thank you all for your responses.